Learn some movable magic chords and how you can use them. Steve's musical passion in recent years has been modern jazz and fusion guitar, and his playing has been heavily influenced by guitarists such as Pat Metheny, Mike Stern, Bill Frisell, Allan Holdsworth, Kurt Rosenwinkle, Scott Henderson, Wayne Krantz, Oz Noy, and John Scofield.
This example is making use of the 3 note per string pattern to make it easier to play faster and more intervallic runs is Instead of thinking of the scale as a row of notes I am thinking of the two notes per string position with an upwards and downwards extension of one note for each string.
In simple terms, the goal here is to learn that mastering the sound of the modes of the melodic minor scale doesn't require learning all these new patterns and positions as we can learn how to turn the mixolydian scale into something a little more fusion by just changing the colour of the scale.
Though this approach will seem tricky at first, once you get it down it can really open up the neck for you, as well as give you a plethora of options when it comes to adding slides, hammer-ons and pull-offs to your lines and phrases, in the style of players such as Allan Holdsworth and Kurt Rosenwinkel.
Jay specializes in teaching classical, fingerstyle and beginning guitar, and enjoys working with students of all ages on what they want to learn, constanly finding meaningful ways to relate the music being studied to core principles of guitar playing and music making.
Triplets feature 3 notes for every beat in the bar and are counted 1-trip-let, 2-trip-let, etc. The new way of playing the scale is using an alternating pattern of 3 and 1 notes per string. Jazz and blues, 50s rockabilly and western swing, to the funk and jazz fusion of the 70s.
One is for TrueFire which is on Blues Guitar, the other is for Mike's Master Classes which is on traditional Jazz Improvisation. Unlike those who rock and roll, funk guitarists guitar diminished scale focus much more on the upper strings and generally employ, as has been said, techniques which enable them to make rhythmic, harmonious music in sync with the rest of the band.
JA- • Jazz Up Your Blues 1 (9th chords) MA • Scott Henderson - video interview (been removed at Scott's PR • The JustinGuitar Rock Songbook. Next four bars is played in the F major scale (Ionian) but if you look at the chords you have the A7 chord here and also the G7 chord in the 8 bars vamp.
Colorado Springs Guitar Studio owner and guitar instructor Steve Langemo is a versatile electric and acoustic guitarist with a diverse background in jazz, rock, blues, funk, fusion, metal, pop, and classical music. The thing with Mike Sterns playing is among other things he´s rock energy mixed with the jazzy thinking of scales and tones.
I then play the fill over the B7alt chord to add a jazzy flavor to the lick. I first learned this scale-fingering method from checking out Allan Holdsworth's playing, and later on from listening to Kurt Rosenwinkel talk about it during clinics and workshops.
Jazz Fusion Guitar Lesson - Playing Outside with Oz Noy. When learning to play jazz guitar, many of us start off with the blues , modal jazz tunes and standards , often progressing into the bebop and hardbop realms as we develop our skills on the guitar and in the genre.